From the early sixties, when he left the Royal College of Art more famous than his teachers, Hockney's paintings have shown a charm and humour that sets them apart from others of his generation. A naturally gifted draftsman, his love of ingenious visual devices has led him to experiment with a whole range of techniques, from stage design to coloured paper making. From the early abstract expressionist images, through his famous Californian scenes of swimming pools to the photo-montages of the mid eighties, this lecture follows the career of an artist whose wit and imagination has never faltered.  

Douglas read Fine Art at Magdalene College Cambridge and has been a lecturer on paintings since 1980. In that time he has given over 8000 lectures to universities, colleges and art societies. He was the director of  The New Academy of Art Studies for three years and is presently a regular lecturer at The Study Center, Christie's course 'The History of Art Studies' and other London courses. Among his more improbable venues for lectures are the bar on the QE2, MI5 headquarters, the Captain's Room at Lloyds, and an aircraft hanger in a German NATO base. Overseas he has lectured in Belgium, France, Germany and Spain, and has taken numerous tours around Europe. He has written and presented various TV documentaries, notably the Omnibus programme on Whistler and the exhibition video on William Morris. Three one-man exhibitions of his paintings have been held in England and Switzerland. He has published five novels, which have been translated into 8 foreign languages, and his book on Monet, River of Light, has sold 30,000 copies in England, America and France.

During the Edo period of rule by the Tokugawa Shogunate (1615-1868), the arts of Japan gained in richness and diversity. With the rise of the merchant class and the growth of cities such as Edo (modern-day Tokyo), a new vitality was injected into traditional forms and an emerging middle class culture gave rise to exciting developments in the visual and performing arts. This lecture will consider the arts of the period including castle architecture, golden screen painting, ukiyo-e prints, textiles, lacquerware, and netsuke, as well as the emergence of the flamboyant kabuki theatre. It will provide a snapshot of both aristocratic and popular taste as Japan made the transition from feudal kingdom into modern state.

Professor Marie Conte-Helm is a long-established Arts Society Lecturer with a BA in History of Art and an MA in Asian Art and is a Fellow of the Royal Society of Arts. She was Director General of the Daiwa Anglo-Japanese Foundation from 1999-2011 and has held senior academic posts at various UK universities. She has most recently served as Executive Director of the UK-Japan 21st Century Group, and as a member of the Board of Governors of the University for the Creative Arts. She is widely published and has lectured throughout the UK and abroad. She is also an experienced cruise speaker and a Resident Historian with Viking Ocean Cruises, lecturing on many aspects of Asian Art and East-West Encounters. She was awarded an OBE in the 2011 Queen’s Birthday Honours for services to UK-Japan educational and cultural relations and the Order of the Rising Sun, Gold Rays with Rosette by the Government of Japan in 2019.

Tickets on sale at meetings for this seasonal lecture, following a shared lunch together.

From Greek Mosaics in the second century, through weddings in the Bible, Renaissance allegories of refinement and excess, sixteenth century peasant parties out of doors, eighteenth century harlequins, to the celebratory styles of twentieth century painters, the depiction of parties has always been popular in the history of Western Art.  Alice Foster traces the variety of merrymaking, banqueting, dances and music in a feast of colour.

Alice has lectured for Oxford University Department of Continuing Education since 1998. She lectures regularly at the Ashmolean Museum, Oxford, and at the Oxfordshire Museum in Woodstock. Her busy freelance career includes organising History of Art study days with colleagues, and regular weekly classes in Oxfordshire and Worcestershire. In 2004 Alice joined The Arts Society and has lectured in Britain and in Europe. In 2025 she undertook tours of Australia and New Zealand. Since 2003 Alice has been a tutor on study holidays in Italy. Currently, Alice is a residential tutor at the Argyll Hotel on the Isle of Iona, specialising in Scottish art. 

The lecture will explore the career of designer Marion Dorn and the wider avant-garde movement between the wars. This pivotal time saw a renaissance in textile design and began the process of democratising Modern Art. Marion Dorn & her husband artist Edward McKnight Kauffer were destined to play a central role in modernism and Interior design on both sides of the Atlantic. From Claridges Hotel in London to The White House in Washington DC. Marion Dorn was synonymous with style, design & beauty.

Ashley Gray is a leading specialist and curator in the key art discipline of Modern Textiles and their history. He is a regular vetter at international fine art fairs and has served on the Fair Committees of BADA, The Works on Paper Fair and on the BADA Council. He is regularly invited to lecture on the subject both in the UK and the US. As a curator and archivist, he works with institutions and foundations on conservation and exhibition projects. Most recently he curated Styled by Design at Cromwell Place in London, an exhibition that celebrates the innovation of Modernist textile design. He co-curated Material Textile: Modern British Female Designers and Material Textile: Creativity, History & Process, both with Messums Gallery, Common Thread at New Art Centre and From Bauhaus to our House also at Cromwell Place. He is currently researching the role David Whitehead Ltd in Lancashire played in commissioning innovative modern designs in the Festival of Britain era. An exhibition is planned for 2027.